Dodecaconcerto: II. Largo

Name: Dodecaconcerto: II. Largo
Duration: 6 min 43 s
Description: Dodecaconcerto: II. Largo a song by Roque Cordero on Place Profile

Dodecaconcerto: II. Largo a song by Roque Cordero on Place Profile

… in the receding mist … by Bernard Rands , North-South Consonance Ensemble ,
Testimonial: I. No han podido (They Have Been Incapable) by Aurelio De La Vega , Anne Marie Ketchum , North-South Consonance Ensemble , Max Lifchitz ,
Testimonial: II. In Memoriam Alberto Ginastera by Aurelio De La Vega , Anne Marie Ketchum , North-South Consonance Ensemble , Max Lifchitz ,
Testimonial: III. Premonicion (Premonition) by Aurelio De La Vega , Anne Marie Ketchum , North-South Consonance Ensemble , Max Lifchitz ,
Testimonial: IV. Adagio by Aurelio De La Vega , Anne Marie Ketchum , North-South Consonance Ensemble , Max Lifchitz ,
Testimonial: V. Yo tengo mas (I Possess More) by Aurelio De La Vega , Anne Marie Ketchum , North-South Consonance Ensemble , Max Lifchitz ,
Dodecaconcerto: I. Moderato - Allegro by Roque Cordero , North-South Consonance Ensemble , Max Lifchitz ,
Dodecaconcerto: II. Largo by Roque Cordero , North-South Consonance Ensemble , Max Lifchitz ,
Dodecaconcerto: III. Allegro by Roque Cordero , North-South Consonance Ensemble , Max Lifchitz ,
See You in the Morning: I. Oriflamme by Bruce Saylor , Constance Beavon , North-South Consonance Ensemble , Max Lifchitz ,
See You in the Morning: II. No Loser, No Weeper by Bruce Saylor , Constance Beavon , North-South Consonance Ensemble , Max Lifchitz ,
See You in the Morning: III. The Carousel by Bruce Saylor , Constance Beavon , North-South Consonance Ensemble , Max Lifchitz ,
See You in the Morning: IV. Thank You, Lord by Bruce Saylor , Constance Beavon , North-South Consonance Ensemble , Max Lifchitz ,
See You in the Morning: V. Good Night, Willie Lee by Bruce Saylor , Constance Beavon , North-South Consonance Ensemble , Max Lifchitz ,
See You in the Morning: VI. Remember? by Bruce Saylor , Constance Beavon , North-South Consonance Ensemble , Max Lifchitz ,