Suite d'après Corrette, Op. 161b (1937): I. Entrée et rondeau

Name: Suite d'après Corrette, Op. 161b (1937): I. Entrée et rondeau
Duration: 1 min 26 s
Description: Suite d'après Corrette, Op. 161b (1937): I. Entrée et rondeau a song by Saarland Radio Wind Trio on Place Profile

Suite d'après Corrette, Op. 161b (1937): I. Entrée et rondeau a song by Saarland Radio Wind Trio on Place Profile

The Stumme of Portici: Ouverture by Nuremberg Symphony Orchestra ,
The Black Domino: Ouverture by Nuremberg Symphony Orchestra ,
Le Corsaire - Act I, Overture by The Russian State Opera and Ballet Theatre Orchestra ,
Giselle: III. Valse - Andantino by London Philharmonic Orchestra ,
Symphonie Fantastique, Op. 14, "Episode de la vie d'un artiste": V. Songe d'une nuit du sabbat (Dream of a Witches' Sabbath) by Tbilisi Symphony Orchestra ,
Romeo et Juliette, Dramatic Symphony, Op. 17: III. Love Scene - Adagio by St. Petersburg New Philharmonia ,
Liebestraum No. 3 in A-Flat Major, G 541, Op. 62: "O lieb so lang' du lieben kannst" by Henrik Måwe ,
Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244 by Henrik Måwe ,
Ave Maria (after J.S. Bach) by London Philharmonic Orchestra ,
Faust, Act 3: "Ah! Je ris de me voir si belle en ce miroir" (Air des bijoux, The Jewel Song) by Eteri Lamoris ,
Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle by London Philharmonic Orchestra ,
Orphée aux enfers (Orpheus in the Underworld): Can-can by St. Petersburg New Philharmonia ,
Panis Angelicus, Op. 12 by Latvian Philharmonic Orchestra ,
Six Pièces pour Orgue (1868): III. Prelude, Fugue and Variation in B Minor, Op. 18: Andantino - Lento - Allegretto ma non troppo - Andantino by Klemens Schnorr ,
Le carnaval des animaux (The Carnival of the Animals) for Chamber Ensemble: VII. Aquarium by St. Petersburg Radio Symphony Orchestra ,
Samson et Dalila, Op. 47, Act 2: "Mon coeur s'ouvre a ta voix" by Rita Noel ,
Suite from Sylvia: Pizzicato by Nuremberg Symphony Orchestra ,
Coppélia - Act III: No. 20 Féte de la cloche - Divertissement: I. Valse des heures (Waltz of the Hours) by St. Petersburg Radio Symphony Orchestra ,
Carmen Suite No. 2: Habanera by London Philharmonic Orchestra ,
L'Arlesienne Suite No. 1: Prelude by London Philharmonic Orchestra ,
Thaïs: Méditation by London Philharmonic Orchestra , Pieter Schoeman ,
Suite for Orchestra No. 4, Scènes pittoresques Marche: Air de Ballet by Nuremberg Symphony Orchestra ,
Pavane, Op. 50 by David Parry , London Philharmonic Orchestra ,
Dolly Suite, Op. 56: I. Berceuse by Klaus Jäckle , Elisabeth Riessbeck ,
Suite bergamasque, L 75: Clair de lune by Henrik Måwe ,
Deux Arabesques, L 66: No. 1 by Henrik Måwe ,
Serenade for Flute, String Trio and Harp, Op. 30: I. Allegro by Linos Harfenquintett ,
Concerto for Piano and Orchestra, Op. 36: Allegro molto by Sylvia Capova , Slovak Philharmonic ,
Boléro, M. 81 by London Symphony Orchestra ,
Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 by London Symphony Orchestra ,
Le Sacre du Printemps (The Rite of Spring), Part I. Adoration of the Earth: II. Danses des Adolescentes (Dance of the Young Girls) by Tbilisi Symphony Orchestra ,
The Firebird, Symphonic Suite (1919): IV. Infernal Dance of King Kashchei (attacca) by Tbilisi Symphony Orchestra ,
Concerto for Flute and Orchestra (1934): III. Allegro scherzando by Keith Bryan ,
Cinq piéces en Trio: I. Allegro vivo by Saarland Radio Wind Trio ,
Scaramouche for Two Pianos, Op. 156b: III. Brazileria by Sergio Tiempo , Karin Lechner ,
Suite d'après Corrette, Op. 161b (1937): I. Entrée et rondeau by Saarland Radio Wind Trio ,
Concerto in C-Sharp Minor for Piano and Orchestra: III. Rondeau á la Francaise: Presto giocoso by Manana Doidzhashvili , Tbilisi Symphony Orchestra ,
Le bal masque: I. Préambule et air de bravoure by Double Duet MA.GR.IG.AL ,
Réveil des oiseaux (The Birds Awake) for Piano and Orchestra (1953) by Yvonne Loriod , SWR Symphony Orchestra ,
Quartet for the End of Time (1941): V. Eulogy to the Eternity of Jesus (organ arrangement) by Susanne Doll ,