Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The makings of a conversation: contrast and variation

Name: Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The makings of a conversation: contrast and variation
Duration: 47 s
Description: Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The makings of a conversation: contrast and variation a song by Jeremy Siepmann on Place Profile

Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The makings of a conversation: contrast and variation a song by Jeremy Siepmann on Place Profile

Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: On Beethoven's Openings by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Opening phrase of the 'Pastoral': ood, Symbolism and Musical Function by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Musical Acorns: the outline of melody; the shape of a question by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The 'question' in the 'Pastoral' repeated... by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: ...and answered by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The opening phrase ends on a note full of pregnant expectation by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Starting with a stop by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The rhythmic profile of the opening phrase; a two-part construction by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Phrase One, Part One by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Phrase One, Part Two by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The properties of rhythmic ambiguity; the 'question' of Phrase One answered by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Phrase Two: from meander to march by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The makings of a conversation: contrast and variation by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Repetition as A Major factor, but it's never mere repetition; each time something by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: From soft to loud and back again; instrumental enrichment from horns and double-ba by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Mega-repetition: violins play exactly the same little fragment ten times in a row by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: But no two repetitions are quite the same; varieties of contrast by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: More variation: pitch rises; violins joined frist by the clarinet, then by the obo by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Return to opening idea, but with new instrumentation and articulation by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Clarinets, horns, bassoons and flutes now join expansive variation by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: 'New' insistent rhythm derived from the first four notes of the piece by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: With the dawn chorus, a whole forest is waking up; feelings of rapture by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: First violins play a derivative of the opening figure, joined by wind and strings by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Sudden change of key, from the home key (tonic) to the dominant by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Arrival at the hightly contrasting second main theme by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Unusual properties of second main theme by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Rhythmic clash between simultaneous groups of three beats and groups of two by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: winds fall selent as the violins and violas interrupt with a new theme by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Winds answer with the same morse-like rhythm but at half the speed by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Crescendo leads to strings' acceleration of the pace with no increase in tempo by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Beginning of coda, directly based on morse-like rhythm of the main theme by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Strings reiterate small fragment of the new theme 13 times in a row by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: A simple, rising violin phrase leads to a repeat of the Exposition by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The nature and function of the Development section in sonata form; 'harmonic' rhyt by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The nature of harmonic rhythm illustrated by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: A typically Beethovenian exercise in the frustration of expectation by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Repetitiousness and magic effected largely through instrumental colour by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Then come four, almost identical bars by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Even greater magic, with sudden switch of key and tone colour by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Entire Development section up to this point by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: The Development continued by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Increased unease and suspense as harmonic rhythm accelerates by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Arrival at the point of Recapitulation; back to the beginning, as a reminder by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Beginning of Recapitulation by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: More Beethovenian frustrations of expectations which he himself has just set up by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Harmonic rhythm speeds up, giving the impression of an accent on every beat by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Prevailing mood restored; new theme from clarinets and bassoons by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Violins and violas take up theme; horns, cellos, double-basses accompany by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: A hush falls, followed by a return of the movement's most familiar tag in strings by Jeremy Siepmann ,
Symphony No. 6 in F Major, Op. 68, "Pastoral": I. Awakening of Cheerful Feelings on Arriving in the Country: Clarinet takes up the running triplet figures of the main closing theme by Jeremy Siepmann ,